Debriefing
Aaron Friedman, The Alarmist
Aaron Friedman has put off his composing in order to push legislation in New York City that would ban the audible alarms, which shriek at 125 decibels
By Scott Berinato
June 01, 2004
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CSO
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Aaron Friedman is a twentysomething classical music composer in New York who used to describe himself as "apolitical." Then, one night last year, one of those hyperstrident car alarms jerked him out of a dead sleep in his Washington Heights apartment. In a Wagnerian fit, he went online that very night and discovered, to his bleary dismay, that as a security measure, blaring alarms have proven utterly ineffective and worthless. He's been an accidental activist ever since. "Even the insurance industry has said they've studied it, and they can't find any evidence the alarms prevent theft," he says. Friedman has put off his composing in order to push legislation in New York City that would ban the audible alarms, which shriek at 125 decibels, the same amount of noise you'd hear standing 100 yards from a jet engine revving for takeoff. Debriefing spoke with Friedman at a more civilized volume.
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